a roman scandal

If you are looking for Alex Killough, he's moved to EatenByMoths.com

The music of A Roman Scandal exists now as a fixed constellation—compact, complete, and deliberately left behind. These tracks, remixes, and collaborations capture a specific moment when dark electronic textures collided with raw, unpolished songwriting. The catalog doesn’t expand or evolve; it simply remains, available for anyone who stumbles into its orbit. Each piece carries the imprint of late-night experimentation and a willingness to let sounds fray at the edges rather than smooth them into something more palatable.

Remix culture runs through much of the material, with alternate versions that reimagine the original compositions through heavier, stranger lenses. The ars remixes in particular strip songs down and rebuild them with a colder, more mechanical pulse. Collaborations with other artists introduce unpredictable shifts in tone, pulling the work toward darker electronic territory or injecting bursts of distorted energy. These reinterpretations don’t replace the originals so much as stand beside them, offering parallel paths through the same sonic landscape.

Visual accompaniment was always part of the project’s identity. The music videos that survive from this period reflect a similarly stark aesthetic—grainy, high-contrast, and unconcerned with polish. Shot on modest equipment and assembled with an instinct for mood over narrative clarity, they function more as moving photographs than conventional promos. Together with the recordings, they form a multimedia artifact from a time when the line between music, image, and personal expression was deliberately blurred.